THE STORY of GRACCHUS - I

exciting adult serial novel
click below to go to Title Page and Full Contents

When his father is recalled to Rome, at the end of the Reign of the Emperor Nero, Marcus, and his father and mother travel from Piraeus (the port of Athens) to Brundisium (in South East Italy) by boat.
They newer reach their destination, however, as the boat they are traveling on is attacked by pirates.
Marcus' mother and father are cruelly killed, and Marcus is taken, by the pirates, to Cydonia, in Crete, where he is sold as a slave to a slave-dealer called Arion.
Arion sells on Marcus to a 'mystery buyer' at a fabulously high price, and after a high speed journey through the night, Marcus and Terentius, - the 'mystery buyer', arrive at a magnificent Villa in Baiae, near Neápolis.
It is there that Marcus' erotic adventures begin
SELECTED IMAGES and EXTRACTS of TEXT
from
BOOKS I-IV  

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'Portrait - Marcus Octavianus Gracchus
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'Gaius Agrippa Aelius' 
Gaius Agrippa Aelius had been sent to Athens for a number of years, on Imperial business.

During that time his wife had given birth to his only son, Marcus Gaius Aelius. 
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'The Death of Gaius Agrippa Aelius' 
The pirates had found Gaius' papers, identifying him as a Roman official.
Having been hunted down for years by the Imperial navy, the pirates were intent on wreaking their revenge on Gaius. He was unceremoniously stripped naked, emasculated, and his severed genitals were tied round his neck. He was then hung by his wrists from the main mast of the pirates ship.
Young Marcus, who was on deck with the Armenian slaves and the dancing troupe, was forced to witness his father's humiliation, and listen to Gauius squealing as he was brutally emasculated.
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'Pirate Galley Docked at Crete'
Then, with the cargo ship in tow, the galley made off towards Crete, where the pirates had a safe harbor. Eventually, when the harbor at Crete came into sight, the pirates cut down Gaius, and threw him into the sea. As the Galley and the cargo ship docked in the small harbor, the pirates organized slaves to unload the cargo of Pentelic marble, and the bronze statues.
Those items would later be transferred to another ship, and would be sold in Alexandria.
The Armenian slaves, the boy dancers, and Marcus were then unloaded from the Galley, and placed in guarded pens, where they would later be sorted, and decisions would be made as to where they would be sold.
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'Markos is Sold' 
adapted from a painting by Jean-Leon Gerome

Soon the bidding began, and it gradually became quite frantic, as some of the potential buyers had set their heart on acquiring the handsome youngster. Then, quite unexpectedly, a young man at the back of the agitated group of bidders made a single bid. Immediately the room fell silent.
The bid was of such an amount that no other person in the room could possibly conceive of equaling, or exceeding it - or even approaching it, for that matter.
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'On the Road to Baiae'
The freedman had a muscular young slave with him - presumably a bodyguard - who rode beside the carriage during the journey.
Unknown to Markos, the destination to which he would be traveling was Baiae - a considerable distance from Brundisium - and so they traveled all that afternoon, stopping once in the early evening for a light meal, and then traveling on into the night.
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'Punishment of the Runaway Slave' 
"This is the punishment area.", Nerva announced, solemnly.

And it was quite obvious to young Marcus, because, in one corner a naked young slave was tied to a cross-beam, and impaled through his anus. He was groaning pitifully, jerking up and down, literally 'fucking' himself, in a hopeless attempt to lift himself off the thick wooden post which was, by then deep in his guts. To add to his humiliation, the poor lad was horribly excited, his huge, stiff cock jerking obscenely and dribbling spunk, as a result of being forcibly penetrated.

Nerva explained, "He tried to run away. - Went to Neápolis, but no one there would remove his slave collar. They all knew where he had come from, because the collar was thick silver, and he was soon reported, found, and sent back here.

My lord had no other choice but to subject him to this punishment. If slaves are not punished then why should they obey their lord ?
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'Markos in the Bath' 
They returned down the staircase, and turned into another corridor, and through a door.
The bath - even the bath for the high ranking slaves - in the Villa Auri was as palatial as the rest of the building, and Markos wondered what the bath used by the owner would be like.
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Markos wearing his Silver Slave Collar 
Nerva spoke in a serious manner to Markos.

"This collar, which is very valuable, will be riveted round your neck.

If you were ever so foolish as to try and run away, you would find it very hard to get it removed.

Vulcan has a very special skill in these matters, and anyone else trying to remove the rivet would probably seriously injure, or even kill you - it's not worth the risk.

If my lord ever deigns to free you, then Vulcan - or if Vulcan is no longer here, then his apprentice, will remove it safely, and it will be a gift to you." 
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Markos' Silver Slave Collar 
Nerva spoke in a serious manner to Markos.
"This collar, which is very valuable, will be riveted round your neck.
If you were ever so foolish as to try and run away, you would find it very hard to get it removed.
Vulcan has a very special skill in these matters, and anyone else trying to remove the rivet would probably seriously injure, or even kill you - it's not worth the risk.
If my lord ever deigns to free you, then Vulcan - or if Vulcan is no longer here, then his apprentice, will remove it safely, and it will be a gift to you.
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Servius Juvenalis - Centurion of Legio XIII 
A centurion (Latin: centurio; Greek: κεντυρίων) was a professional officer of the Roman army after the Marian reforms of 107 BC. 
Most centurions commanded groups of centuries of around 100 men but senior centurions commanded cohorts, or took senior staff roles in their legion.
Centurions were also found in the Roman navy.
Being held personally responsible for the training and discipline of the legionaries under their command, centurions had a well-deserved reputation for firmness - which undoubtedly would be good for Markos.
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Emblem of Legio XIII

Legio tertia decima Geminia, in English the 13th Twin Legion, also known as Legio tertia decima Gemina, was a legion of the Imperial Roman army.
It was one of Julius Caesar's key units in Gaul and in the civil war, and was the legion with which he famously crossed the Rubicon on January 10, 49 BC. Its symbol was the lion.
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'Door Keeper to the Study of Gracchus'
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'Door Keeper to the Study of Gracchus'
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'Gracchus'
"So, at last we meet, young Markos - or is it Marcus ?", Gracchus, said gently, with a smile playing round his lips.

"And in case you haven't realized, I am your master.

I am Gnaeus Octavius Gracchus."

"Yes....my lord." Markos replied. 
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Markos' - Naked in the Gymnasion 
In the late afternoon it was off to the Gymnasion, and Markos' coach Servius.

At that time, it was the part of the day Markos enjoyed the most.

Whereas in the rest of the villa everything was hushed, quiet and dignified, in the Palaistra Markos could run around naked, and laugh and shout as he played ball with Servius.

Also, in the Palaistra Servius had started to teach Markos the finer points of wrestling.

This Markos enjoyed, but also, strangely, he welcome the closeness of another human body, - of oiled skin against oiled skin, in a forceful, but somewhat playful 'embrace'. 
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Cleon - the Slave-Boy 
There in the corridor was a boy, obviously a slave boy because he was wearing only a white thong, and a silver slave collar, identical the the collar that Markos wore.
The boy was about the same age as Markos, with deep blue eyes, a shock of pale brown hair, and wide, sensuous lips.
"Hi ! I'm Cleon !", he said, brightly.
Markos stared at the boy, uncomprehending.
"Terentius sent me - to amuse you on your evening off.",Cleon said brightly.
"What do you mean ?", Markos stuttered, still not understanding what the boy meant.
"Well ... Terentius said you were inexperienced, but .....", and he smiled, delightfully.
Markos was till looking puzzled, and had not fully opened the door to his room.
Cleon lent forward.
"I'm here so you can fuck me.", he whispered, in a conspiratorial tone.
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'Cleon  and Markos'
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Slave-Boys Fuck for Gracchus and his Guests 
Voyeurism has high prevalence rates in most populations, and in ancient Rome it was considered quite acceptable for high status citizens to stage 'performance's involving their slaves, (male and female, or male on male) sometimes just for their own enjoyment, or in many cases as an 'entertainment' for their guests, and such events were often performed at banquets. 
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Rape in the Arena 
An aspect of Roman voyeuristic practices was to be found also in the Roman theater (at the time of this story), where slaves would enact plays (often on a mythological basis) involving real sexual activity. Similar 'performances' also took place a interludes between gladiatorial contests in the arena, and often defeated wrestlers and gladiators would be raped in the arena before being killed. 
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Penis Cage 
The cage is shaped like a male member, but not an erect one.

The ring is placed behind the scrotum - containing the testicles - with the testicles holding it in place.

The cage is then slotted into the prongs on the ring, and secured with a small piece of wire, which is fastened with a lead seal. In that way it can be seen if the cage has been tampered with, or removed.

Because of the way it is made the boy can urinate quite easily while wearing it, but because the cage is quite small, it is impossible for the boy wearing it to have an erection, masturbate, or have penetrative or oral sex. This effectively blocks any emission of seed, so that when it is finally removed, and the boy has sex, his erection is very strong, and his emission is very full. 
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'Cleon - Nude'
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'Servius and Markos at the Pool'
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Servius and Markos on the Beach 
He then knelt behind Markos, and pushed his rampant 'tool' between Markos' well-muscled buttocks.

Markos grunted, as he felt Servius' large, stiff cock enter him, and Servius groaned with obvious pleasure as he felt Markos' tight arse muscles grip his swollen 'tool'.

"Markos ! Your so tight and hot !", Servius grunted, as he started thrusting into the prone young lad. 
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Cleon and Markos 
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'Rape of Ganymede' 
Γανυμήδης, Ganymēdēs  is a divine hero in Greek Mythology, whose homeland was Troy. He was the son of Tros of Dardania, from whose name "Troy" was supposed to derive, and of Callirrhoe. His brothers were Ilus and Assaracus. As a boy, he was abducted and raped by Zeus, in the form of an eagle, and then served as cup-bearer in Olympus. Homer describes Ganymede as the most beautiful of all boys. The myth was a model for the Greek social custom of 'paiderastía', the socially acceptable erotic, and usually sexual relationship between a man and a boy. The Latin form of the name was Catamitus (and also "Ganymedes"), from which the English word "catamite" derives. 
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Slave Boy Serving Wine at a Greek Symposium

adapted from a painting by Sir Lawrence Alma-Tadema 
In ancient Greece, the symposium (Greek: συμπόσιον symposion, from συμπίνειν sympinein, "to drink together") was a drinking party. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.

The equivalent in Roman society is the Latin 'convivium'. Food and wine were served. Entertainment was provided, and depending on the occasion could include games, songs, flute-girls or boys, slaves performing various acts, and hired entertainment. 
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Naked Slave Boys Wrestle at a Roman Banquet 
Cleon explained - "At a 'cenam' - a banquet, it's mainly Roman 'clients', who want Roman entertainments, so they like to see us slave-boys naked - fucking and jerkin'-off, and doing wrestling, that ends up with the loser being fucked - what the 'plebs' call 'fuck-fights'.

Worst of all - if it's some big festival, then they will have a couple of pairs of gladiators fight - and that always ends up with at least two slaves being killed - and that's messy, 'cause we boys have to clear it up.

Fortunately for us, the gladiators are likely to be the older slave-boys, that Gracchus usually has as his 'guards'.
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'Slave Guard' 
Gracchus uses slave boys, who are also used as gladiators, to guard the Villa Auri.
(notice the philhellene, Greek style, Corinthian helmet) 
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'Slave Guard' 
Gracchus uses slave boys, who are also used as gladiators, to guard the Villa Auri.
(notice the philhellene, Greek style, Corinthian helmet. 
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'Entrance to the Banqueting Hall at the Villa Auri' 
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'Banqueting Hall at the Villa Auri' 
Markos was amazed at the size of the hall.
Like the rest of the Villa, the Reception hall had been designed by the prominent Roman architect, Lucius Severius.
Surprisingly, despite his philhellenism, Gracchus had chosen a Roman architect rather that a Greek for his magnificent villa by the sea.
The reason, of course, was that Gracchus wanted some large areas, uncluttered with columns.
Greek architects, unfortunately had a habit of inserting rows of columns in any large internal space, - which was not what Gracchus wanted at all.
So Gracchus had chosen an architect who was a master at creating magnificent spaces using concrete.
The Reception Hall was large enough to accommodate over one hundred people, and had no internal columns, as it was roofed with a coffered, concrete barrel vault.
The vault was finished in white stucco, with plaster ornamentation finished with gold leaf.
The doors to the hall were masterpieces, cast in bronze, enormously heavy, and then lacquered, and ornamented with the most tasteful gilded decoration, which included Gracchus' monogram on each door.
All the walls of the hall were veneered in the most expensive off-white, veined Greek marble.
And the floor was finished in marble mosaic, polished with olive oil. 
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'Slave-boys Sparring in the Banqueting Hall at the Villa Auri' 
As the doors were swung open by the tall slave-boys, Markos not only saw the magnificent hall, but also two practically naked, older slave boys, sparring with wooden swords, in the center of the mosaic floor.Apart from the usual silver slave collars, each boy was only wearing a leather thong, leather wrist guards and gloves.
"These boys are preparing for tonight's munera." Tarentius explained.
As Markos watched them, he wondered which one of them would be dead before the end of the night. 
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'Ανδώνιος (Adonios)' 
Having changed into a new white, Greek Style tunic, Markos went to see Terentius before entering the Aula de Convivium (the Banqueting Hall).
There he met the two slave boys who would assist him in serving Gracchus - Ανδώνιος (Adonios) and Ἀρίστων (Ariston).
Being now, apparently, junior to Markos, the two boys were dressed in only a white loincloth, and white leggings. 
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'Ἀρίστων (Ariston) 
Having changed into a new white, Greek Style tunic, Markos went to see Terentius before entering the Aula de Convivium (the Banqueting Hall).
There he met the two slave boys who would assist him in serving Gracchus - Ανδώνιος (Adonios) and Ἀρίστων (Ariston).
Being now, apparently, junior to Markos, the two boys were dressed in only a white loincloth, and white leggings. 
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And so Gracchus finally arrives at the convivium - accompanied by two guards, a pair of slave-boys, and Markos, his 'cup-bearer'.
Previously, Gracchus had made a sacrifice to his patron God, Hermes, in the permanent shrine situated in the main Atrium of the Villa Auri. 
for the full story go to: The Story of Gracchus 

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'Shrine to the God Hermes' 
There was a permanent shrine to Gracchus' patron god, situated in the main Atrium of the Villa Auri.

Hermes - (Mercury in the Roman Religion) - Messenger of the Gods, transgressor of boundaries and taboos, God of mysteries, bringer of sleep, dreams, and visions, Psychopompos (guide of the dead), patron of herdsmen and heralds, God of Luck and Unexpected Fortune, God of translation and language, God of gymnasia and athletic youth, God of logos, or world order, God of trade and commodities. 
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Naked Slave-Boy Gymnast Performing for the Guests
at the Banquet at the Villa Auri 
'The first diversion was a number of young slave-boys who performed some gymnastics.
As the name suggests, ('gymnazein' - to exercise naked) the boys performed completely nude.
The boys had been carefully trained by Gracchus' coaches, and were able to put on a show that was not only very skillful and athletic, but was also intensely erotic.
The eroticism, of course was facilitated by the fact that the boys were nude.
Agathon (Gracchus 'in-house' Greek physician) also enabled the boys to perform erotically by providing them with a mixture of a red-leafed root in the orchid family' called, appropriately, 'Satyrion', combined with the juice of an exotic tuber called 'Skirret'.
More prosaically, most of the boys were fitted with silver rings, which were worn round the base of the penis, behind the scrotum, and which constricted the flow of blood from the penis, thus ensuring a strong and long lasting erection.' 
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'Naked Slave-Boy Gymnast Performing for the Guests
at the Banquet at the Villa Auri'
(auto-fellation) 
'One of the most startling performances on this particular evening was one involving a young slave-boy in and act of auto-fellatio.
In Ancient Rome, 'fellatio' was considered profoundly taboo, and so this was about as immodest and salacious as one could get in Roman terms.
This was well understood by the guests, but the act of auto-fellatio was not only an obvious form of 'self-abuse' (and extreme form of masturbation), but was also a remarkable feat of flexibility and self control - and boys who could perform in that way had to be trained to do so from an early age.'
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'Naked Slave-Boy Gymnast Performing for the Guests
at the Banquet at the Villa Auri' 
'The Latin term 'masturbari' was only one among half a dozen terms that Romans used for the act. Originally it meant only to 'rub by hand' or to 'agitate', without negative connotations. Over time, however, the term gained associations of disturbance and defilement. Some authors came to associate the term with 'manus sinistra', meaning the left hand, indicating uncleanliness, since the Romans linked the left hand with elimination functions. Masturbation in itself was not considered to be bad, but was, however, associated with male slaves, as male teenage Roman citizens had a 'concubinus' (slave boy), and adult Roman citizens had wives, prostitutes (male and female), slave boys and slave girls.' 
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'Naked Slave-Boy Gymnast Performing for the Guests
at the Banquet at the Villa Auri' 
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'The Greek God Priapus' 
'The English word, fascination, derives directly from the Latin, 'fascinus', which in ancient Roman religion and Roman magic, was the embodiment of the divine phallus (erect penis) -
(the word derives also from Latin related verb 'fascinare', "to use the power of the fascinus").
The Vestal Virgins tended the cult of the 'fascinus populi Romani', the sacred image of the phallus that was one of the tokens of the safety of the state (sacra Romana). It was thus associated with the 'Palladium'.
As a divinized phallus, the god 'Fascinus' shared attributes with the imported Greek god 'Priapus'. Phallic charms, were ubiquitous in Roman culture, from jewelry to bells and wind chimes to lamps and graffiti.'
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'Petronius'
Teenage Slave-boy and Gladiator Belonging to Gracchus
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Nude Petronius as Apollo

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Petronius Poses Naked as Apollo
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Atticus Defeated
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Petronius Greets Gracchus and Marcus at the Amphitheater
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The Rape of Ganymede in Gracchus' Amphitheater
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Ganymede in Fucked in the Arena
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 Crucifixion in the Arena
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Crucifixion in the Arena
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Crucifixion in the Arena
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Atticus Prepares for the Munera
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Ferox Prepares for the Munera
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Valens Tied up before being Castrated
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Castrated Valens about to be Decapitated
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Castrated Valens Decapitated
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Petronius as Apollo
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Petronius poses for the Statue of Apollo
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Judicial Torture of a Slave in the Arena
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Rape in the Arena
Part of the Dramatic Tableau - Ganymede and Zeus
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Adamas Fucks Ferrum During the Games for Nymphidius
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Pankration Wrestler Cums as he is Strangled
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Terenus is Decapitated During the Games for Nymphidius
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Terenus is Decapitated  - and Pisses and Shits
During the Games for Nymphidius
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Death of a Young Noxii
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Tableau - The Legions Rape Germania
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Pompa at the Opening of the Games
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Double Execution and Emasculation
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Impaling and Emasculation
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Death of Ariston
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Funeral Procession of Gnaeus Gracchus
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Cremation of Gnaeus Gracchus
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Servius - Stripped and Chained and Awaiting Execution'
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'Boy Prostitutes on Display in a Roman Brothel'
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'Petronius Fucks a Boy prostitute in the Brothel Pool'

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The Story of Gracchus - Chapter XXVII


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'Servius Fucks Rufio'
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'The Slave-Boy Aurarius '
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'The Slave-Boy Aurarius with Terentius at the Slave Auction '
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'Petram Gets his Balls Stretched at the Ludus '
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'Slave-Boy Glykon - the Door-Keeper
gets his Balls Stretched in the Ludus '
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'Captured in the Woods,
Cleon is Stripped, Raped, Emasculated and Impaled'
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SCENES FROM THE
MUNERA PRO GNAEUS OCTAVIAN GRACCHUS


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'Munera Gladiators -
Saluting'
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'Munera Gladiator'
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'Munera Gladiator -
Emasculated'
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'Munera Gladiator -
Killed with a Trident
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'Munera Gladiator -
Hit in the Balls
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'Munera Gladiator -
Speared in the Belly'
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'Munera Gladiator -
Impaled Arse-Hole'
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'Munera Gladiator -
Watching'
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'Munera Gladiator -
Severed Hand'
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'Munera Gladiator -
Disembowelled'
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'Munera Gladiator
Dead'
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SCENES FROM THE FIRST PART OF THE
LVDI AD AVSPICARI NOVAM AETATEM


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'Boys Pancratium Wrestling'
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'Boys Pancratium Wrestling
Victory Fuck'
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'Teenage Pancratium Wrestling -
Ball Torture''
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'Pancratium Wrestling -
Dead Wrestler'
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'ancratium Wrestling -
Death of a Wrestler'
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'Pancratium Wrestling-
Shoulder Move'
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© Copyright Vittorio Carvelli 2016

'Garroting Condemned Slaves in the Arena'
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© Copyright Vittorio Carvelli 2016

'Arena Reanactment'

FOR MORE IMAGES FROM THE STORY OF GRACCHUS 
follow the link:

THE STORY OF GRACCHUS PART II
(in this blog)

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to be continued .......